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Tip for logging with keywords

My favourite way of logging with keywords is to have ‘No Ratings or Keywords’ selected as the criteria for display in the Event Browser. Then, add a keyword and the clip vanishes. So you always know which clips have yet to be sorted. Ah, but what if you want to add more than one keyword? The clip disappears as soon as you add the first, no? Well…

If the keyword editor is open, the act of committing a keyword (or keywords) to a clip leaves the clip itself in that kind of half-selected limbo where its highlight is grey and not blue. Like it’s selected, but in an inactive window (which, I suppose, is what it is).

[pic of situation]

Here, type all the keywords you want to apply to the next clip (even if there’s a shortcut), select them all and cut them, leaving the field blank. Then click on the next clip and paste the keywords in.

The clip will vanish, but it’ll have all the keywords you wanted associated with it.

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Bow to the Audience

My favourite living musician and recording artist is Prince. I’ll allow that if you don’t like him, you probably really don’t like him. That’s because he’s really good. Not a middle of the road, demographic-studying slave to shifting units. He is a businessman of remarkable savvy and boldness—he does know how to shift units—but he doesn’t pander. Ever. He is, truly, an artist.

If there’s one level-headed criticism levelled at him, though, by fans and haters alike, it’s that he can be self-indulgent. He can, and has, had moments where he’s seemed to go in a direction that’s hard to follow[1] and appeared disdainful of anyone not up for it. But you don’t stay vital and successful in the creative arts by being unconcerned with the audience.

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Footnotes    (↵ returns to text)
  1. Could be too brilliant, could be too crap.

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For the love of God, can we kill interlaced?

In my day, my young ’uns, faster frame rates than the usual 23.97, 24, 25 and 29.97 frame rates were only useful if you wanted smooth slow motion. With Peter Jackson boldly using 48 frames per second for The Hobbit, the idea that they could be used as a playback option has a good chance of taking hold. The effect is the smoother motion that TV viewers associate with news shows, talk shows, daytime soaps and certain multi-camera sitcoms. To the editor, that’s known as interlaced, and it’s a pain and a remnant of antiquated broadcast systems. Can we now consign it to the cutting room floor of history?

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Serious Multicam problem in FCPX 10.0.4

Multicam may have been implemented in Final Cut Pro X, version 10.0.3, and improved in 10.0.4, but working on a show that’s destined to be broadcast to License payers, I found it’s led to a new problem that could mean the loss of an awful lot of work. Of course, back-ups were also introduced at some point, but restoring from back-up doesn’t help if the back-up is just as corrupted as the current version.

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Dying formats, emergent workflow

The only problem I’ve encountered with Final Cut Pro X during my first edit for broadcast TV involves anamorphic QuickTimes, but in solving it I found a new friend in my editing life.

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A tape project in Final Cut Pro X

Published on May 9, 2012 by in editing, Featured

The only major complaint about Final Cut Pro X, now it’s in 10.0.4, left over from the .0 release’s Big Four—no multicam, no broadcast monitoring, no XML, and limited support for tape formats—is the last.[1] The first three on that list were certainly deal-breakers as far as my TV work was concerned, but with them now present and (mostly) correct, I felt confident enough to use FCPX for a broadcast project, though it involved a ton of DigiBeta tape to which Final Cut is now profoundly indifferent.

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Footnotes    (↵ returns to text)
  1. Along with the (slightly) lesser stuff like support for PSDs, etc.
 
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Chuck Tells Us How

Never read any Chuck Palahniuk, but the sheer volume of writing advice he’s shared via his website is enough to endear him. I’m going to wade through these essays (which include some of his short fiction, so it’ll break my Palahniuk hymen) and emerge a wiser person.

(via litreactor.com)

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Final Cut Pro X

Final Cut Pro X logo

So… Final Cut Pro X, eh? Lot of chatter about it. Lot of controversy.

I bought it the day it came out expecting to jump in and find an editing Nirvana. Instead I found something that made my head hurt. I believe this reaction was not unique. Being slightly busy, I resolved to keep an open mind and give it a proper go when I had the time. Turns out that time is now: six months later! Read more…

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Lucas on retirement and personal blockbusters

Fake movie poster illustrating George Lucas's retirement

© 2012 The New York Times Company

The New York Times magazine has this excellent article by Bryan Curtis on George Lucas. I’ve long been an apologist for fan of the Star Wars prequels, and I remember taking a sceptical friend to the world’s first six-movie marathon in Leicester Square the day Revenge of the Sith had its London premier. Upon emerging for our 15 minute break after The Phantom Menace, I tried to find consensus midway between our opinions (he was no convert) by opining that, “Obviously no Hollywood studio committee got anywhere near that.” Read more…

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Happy St. Sandy’s Day

I was alerted to the fact that this is St. Andrew’s day by the fact that people kept commenting on a video I posted years ago of some Scottish celebrities (such as they are) talking about it. It’s a fun we film, and I’m glad it’s turning out to be perennial. It’s also a rare chance to see Scottish hermit, Leon Jackson, so I humbly present it here:

 

 
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