This is a double bill that happened by accident. I was keen to watch Alex Garland’s Annihilation purely because it was new: I don’t get to the cinema much lately, so I tend to catch up with films only when they reach Netflix, or Prime Video. Being produced by Netflix, Annihilation was available to me […]
Author Archives: Kenny Park
macOS Sierra Counts in a Human Way. Oh, no!
While working in Final Cut Pro X tonight, I noticed something: it was arranging my Events in the correct order, even though the first difference in their names (from left to right) were numbers, and some of those numbers had two digits. I’ve always written numbers in a list with leading zeros to make sure […]
Rogue One review, with spoilers
Having not thought much of Star Wars Episode VII: The Force Awakens, and feeling like I was adrift in a sea of praise for it, I was sceptical about Rogue One, despite the positive reaction. The trailers didn’t help, in that I simply didn’t feel they made the film look much good. I feared that […]
New CV now available.
Today’s lesson: if you’re going to do something yourself, rather than pay someone to do it, then do it! This blog doesn’t get the attention it should, but I had no idea of the mess I had left the CV portion in. My email signature directs people to kennypark.com/blog, so I assumed that no one would […]
Spoiler-full Force Awakens review
Hello world!
Farewell to Editworks
Like a fool, I forgot to hand my security pass back in on my last day of the Puffers edit. Editworks was our (well defended) home for six weeks as Liam and I hammered out the show, and it was a delight to be back there. A couple of years on the trot, I did […]
Finishing Puffers & #Dieselgate
Finished up on Scotland’s Vital Spark: the Clyde Puffer (as it’s now called) last Friday. Everyone was happy with it, including me. It’s a lovely show that’s equal part history and heart. It’ll be straight onto the Career Highlights section of my CV. I haven’t updated that yet, though, nor have I my LinkedIn profile. […]
Other People’s Eyes, and why Kubrick’s last film is, I think, unfinished
An editor will prepare a cut in near-isolation. It would be total isolation if it wasn’t for the director (or Edit Producer, who does the director’s job in the cutting room, but wasn’t involved in the shoot) and the handful of producer’s who drop in to make sure you’re not making Ishtar. Both the editor […]
Final Cut Pro X 10.2: New Masks
The new mask capabilities of FCPX in 10.2 were immediately a godsend: the video I was working on at the time immediately benefitted, and in that respect it was as helpful as the arrival of Libraries in 10.1. (Ripple Training have a great overview of the new masking features.) The video was this little campaign […]
Slow Train Through Africa
I did a wee bit of work on Slow Train Through Africa with Griff Rhys Jones. When I came in, some of the episodes had been entirely finished, but the one assigned to me just had a few tweaks before final sign-off. I was immediately impressed with the show, and knew that it was the […]