Kenny Park, pro video editor in Avid and Final Cut for over a decade.
Walter Isaacson’s biography of Leonardo Da Vinci is wonderful. It’s long, but it needs to be. It’s given me an appreciation of the master’s life, work and political context (you think ours is turbulent), but also takes care to present alternate theories regarding the more mysterious aspects of Leonardo’s life and work. Above all, it […]
I just finished Jaron Lanier’s book, Ten Arguments for Deleting Your Social Media Accounts Right Now, and I found it so convincing, that I deleted my Twitter accounts immediately. Everyone knows they sell your data, but Lanier goes further and explains how, purely in the name of ‘engagement’ with advertising, the algorithms engage in massive-scale […]
I don’t know what in the hell is really happening in Mulholland Drive. Maybe nothing is. Screenwriting manuals would lead us to believe that what it does is invalid, that it could never hold an audience’s attention, let alone its empathy. The fact that it is often voted best film of any given period (the […]
Great, isn’t she? You wouldn’t dare suggest that she doesn’t deserve it, doesn’t own it. And thank God, because as a white cis-male I’m getting pretty sick of all the white cis-males who blithely assume they’re the master race. I know I carry that assumption, too, and it still informs my actions and attitudes, but […]
Previous instalments: Intro Mad Max Mad Max 2 Mad Max: Beyond Thunderdome Holy fuck. I’m really, really mad at myself: if I’d been up to speed with the three others when this came out, I’d have seen it in theatres, and I’d have gone back to see it as often as I could. […]
Previous instalments: Intro Mad Max Mad Max 2 If Road Warior is the series’ Wrath of Khan, Beyond Thunderdome is its Search for Spock: pretty good, with some inspired moments (chiefly Thunderdome, itself), but not quite of the same calibre. For one thing, it’s far more stationary than the other entries. Not until the very end […]
Previous instalments: Intro Mad Max This is the one I’d seen, back when Alex Cox introduced it for Moviedrome. I remember enjoying it, but it’s action was much curtailed by the 4:3 crop—much of the exquisite choreography comes from the framing of cinematographer, Dean Semler. More importantly, I didn’t particularly relate to Max, […]
Previous instalments: Intro I think I was put off the first Mad Max because it seemed a bit too nasty for me. I was worried I’d be scared, frankly, when my pal’s big brother started raving about his VHS copy. Later, I thought it was merely a revenge-rampage movie, with the murder of the […]
I’ve wanted to see Mad Max: Fury Road since it came out in 2015. Everyone loved it, and its nomination for Best Picture at the Academy Awards broke ground for unashamed action movies the way Lord of the Rings did for fantasy FX movies. The only problem was, of its predecessors I’d only seen Mad Max […]
This is a double bill that happened by accident. I was keen to watch Alex Garland’s Annihilation purely because it was new: I don’t get to the cinema much lately, so I tend to catch up with films only when they reach Netflix, or Prime Video. Being produced by Netflix, Annihilation was available to me […]