Mad Max 2, aka The Road Warrior

Previous instalments: Intro Mad Max    This is the one I’d seen, back when Alex Cox introduced it for Moviedrome. I remember enjoying it, but it’s action was much curtailed by the 4:3 crop—much of the exquisite choreography comes from the framing of cinematographer, Dean Semler.    More importantly, I didn’t particularly relate to Max, […]

Finishing Puffers & #Dieselgate

Finished up on Scotland’s Vital Spark: the Clyde Puffer (as it’s now called) last Friday. Everyone was happy with it, including me. It’s a lovely show that’s equal part history and heart. It’ll be straight onto the Career Highlights section of my CV. I haven’t updated that yet, though, nor have I my LinkedIn profile. […]

Other People’s Eyes, and why Kubrick’s last film is, I think, unfinished

An editor will prepare a cut in near-isolation. It would be total isolation if it wasn’t for the director (or Edit Producer, who does the director’s job in the cutting room, but wasn’t involved in the shoot) and the handful of producer’s who drop in to make sure you’re not making Ishtar. Both the editor […]