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For the love of God, can we kill interlaced?

In my day, my young ’uns, faster frame rates than the usual 23.97, 24, 25 and 29.97 frame rates were only useful if you wanted smooth slow motion. With Peter Jackson boldly using 48 frames per second for The Hobbit, the idea that they could be used as a playback option has a good chance

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Dannsa Episode 3, the music

Dannsa hits Episode the Third with a trip to Taynuilt, near Oban. Well, relatively “near”: Taynuilt isn’t near anywhere, which is sort if the point of Ballet West. In idyllic surrounds, the ballet degree students have few distractions, other than the odd stag sticking his majestic head through the studio window to enjoy a rehearsal.

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Dannsa Episode 2, the music

Following on from last week’s blog, here’s what I have to say for myself regarding the music choices in Dannsa, episode 2, which is on tonight at 10pm, BBC Alba. This week, we concentrate on the Fusion dance group in Aberdeen, with a brief sojourn with Livingston’s b-boyz (and girl), the Heavy Smokers, kicking off

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Dannsa Episode 1, the music

A new show TV started last Monday, 10pm on BBC Alba. It’s called Dannsa[1] and you’ll all be able to get it, because BBC Alba has just become available to anyone with Freeview. That’s you[2]. I recommend the show to you, because it’s rather good. I know this because I worked on it, along with

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The Afghans are not Ewoks

Just watched the political discussion show, Empire, on Aljazeera. Jolly good. I’m quite enjoying switching to the Doha-based network whenever BBC News starts wittering about cricket and there’s nothing good on Parliament. They had, among others, Carl Bernstein of All the President’s Men fame going on about Wikileaks, cyber activism and national security. The whole

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“Press ‘Play’ on that one, and ‘Record’ on that one.”

I heard someone say it today at STV.  It about sums up the best of my childhood, that.  From copying a rental edition of Empire Strikes Back (later paying for it twice on VHS and again on DVD, not to mention the cinema tickets for the re-release) to making mix tapes to impress a girl,

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And the Oscar goes to… Meryl Streep for Margo MacDonald! [Cue applause.]

In short, she’s the kind of gutsy, down-to-earth, yet highly intelligent heroine who gives Julia Roberts or Meryl Streep the chance to win Oscars. She cuts through the bull as a matter of course and can smell the shite in anyone else’s argument a mile away.

 
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Abso-fucking-lutely

Absolutely, the Scottish sketch show, is just as brilliant as it once seemed to my teenage self, putting all modern examples to shame.

 
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Susan Boyle & the Twitter patter of tiny tweets

Published on May 17, 2009 by in editing, tv, Work

A few weeks ago I spent a long weekend editing a programme for STV called, Susan Boyle: Two Weeks That Shook Show Business.  I’ll assume you know who Susan Boyle is.  The programme was to play on the Bank Holiday Monday, dividing the double episode of Coronation Street and going up against East Enders on

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