Like a fool, I forgot to hand my security pass back in on my last day of the Puffers edit. Editworks was our (well defended) home for six weeks asRead More…
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Finished up on Scotland’s Vital Spark: the Clyde Puffer (as it’s now called) last Friday. Everyone was happy with it, including me. It’s a lovely show that’s equal part historyRead More…
An editor will prepare a cut in near-isolation. It would be total isolation if it wasn’t for the director (or Edit Producer, who does the director’s job in the cuttingRead More…
The new mask capabilities of FCPX in 10.2 were immediately a godsend: the video I was working on at the time immediately benefitted, and in that respect it was asRead More…
I did a wee bit of work on Slow Train Through Africa with Griff Rhys Jones. When I came in, some of the episodes had been entirely finished, but theRead More…
You know that scene from The Jerk, where Navin R. Johnson leaps ecstatically into the air when the phone book arrives because it’s the first one to feature his name?Read More…
I wasn’t going to stay up for “the bells” because I was seriously sleep deprived, but curiosity got the better of me. I’d edited the Hogmanay show for STV, andRead More…
Getting to the movies isn’t really realistic anymore now I’m a dad. I’ve let my Cineworld subscription lapse. That’s not to say there aren’t films I want to see rightRead More…
No one likes unnecessary pain. It must’ve seemed like unnecessary pain to many editors, having to learn a new piece of software when the old one works just fine. AndRead More…
Gotta say, I agree with this post regarding Final Cut Pro 7. I just finished a job with it and, sadly, it wasn’t up to the task. Admittedly, I’d over-estimated it,Read More…